I have a review of Chris Rapley’s “play”, 2071, over at Breitbart London.
The latest development in the green colonisation of the cultural sphere is the planet-saving stage play. This year, the Royal Court Theatre commissioned Duncan Macmillian and Chris Rapley to adapt for the stage the latter’s concerns about the state of the planet when his eldest granddaughter will be the age he is now, in 2071. That year gives the play its title.
Yes, I actually went to see 2071.
I felt a bit sorry for Rapley at first. He was obviously nervous. And reviews were already saying that the performance was dull (“but important”). But then, I wondered who the hell puts themselves forward for this stuff? What colossal sense of self-importance is required to put oneself on the stage in this way, with nothing new to say?
I was going to discuss the difference between a lecture and a play in the article, but word limit precluded it. So here’s some brief thoughts not from the article.
I was lucky to have some great lecturers at university, and a few dreadful ones. If I was to do my time at uni again (which I would, without a second’s thought), I would choose more of my courses on the strength of the lecturers/seminar tutors. Of course, most arts degrees are dependent on self study. But a good lecture orients your study, lays out the coordinates, the history and the controversies of a subject, and thereby share their interest in something. Although many lecturers take quite strong positions on certain ideas, the best lecturers in my experience, were those who were not only unafraid of other ideas, but welcomed challenges to their own positions.
So my point here is not simply that Rapley’s lecture-play was dry and dull. It failed at being a play, and it failed at being a lecture too. It was more like what I imagine some kind of sermon to be, though, not being religious, I might not have understood the point of sermon’s correctly. Even preaching, I think, involves some element of putting yourself in front of a crowd with the expectation that they may challenge you.
What were the opportunities here, to challenge Rapley? It is true that The Royal Court Theatre have follow up events. But look at them:
DEBATE: CAN BUSINESS EVER BE GREEN?
1.30 – 2.30pm
Simon Graham, Environmental Strategist at Commercial Group, one of the biggest independent companies in the UK; Olivier Lawder, Creative Planner at Futerra, working to deliver sustainability campaigns; Bioregional Programme Manager, Tom Hill and Daniel Turner, Head of Disclosure at CDP.
It will seek to discover how and if business’ can operate commercially whilst lowering their carbon emissions.
DEBATE: CAN THEATRE EVER BE GREEN?
6.00 – 7.00pm
Theatre-makers discuss responsibility towards Climate Change in their work
Speakers: Natalie Abrahami (Theatre Director), Natasha Chivers (Lighting Designer), Alison Tickell (CEO, Julie’s Bicycle) Ben Todd (Executive Director, Arcola Theatre) and Paul Handley (Production Manager, Chair).
Analysing the responsibility to climate change in their work and discussing more environmentally friendly ways of producing theatre.
WORKSHOP: PSYCHOLOGICAL RESPONSES TO CLIMATE CHANGE
11.00am – 12.30pm
Hosted by Paul Hoggett, Chairman of Climate Psychology Alliance from the University of West of England.
An interactive workshop to help audiences come to terms with psychological responses to Climate Change exploring the guilt and ambivalence we feel, and the dilemmas we face around the subject.
WORKSHOP: TRANSITION TOWN
1.00pm – 2.30pm
Transition Town: the power of just doing stuff!
Hosted by Sarah McAdam, Transition Network and Hilary Jennings, co-founder of Transition Town Tooting.
A transition town is a grassroot community project that seeks to build resilience in response to peak oil, climate destruction and economic instability.
Hear more about the spread of the Transition movement internationally, gain inspiration from the action communities are taking to help create a low carbon, socially-just, healthier and happier future and explore how you might get things started in your neighbourhood.
WORKSHOP: AFRO RETRO’S UPCYCLING
3.15 – 4.45pm
UpCycling, is it just a fad or could it be a way of life?
Let team AFRORETRO show you just how easy it is to breathe new life into your old, unwanted stuff.
In this workshop with the help of AFRORETRO; upgrade an old unwanted t-shirt into a one-of-kind, statement infinity scarf.
All materials will be provided but in the spirit of UpCycling please bring a t-shirt, the larger the better.
Sewing skills not necessary however imagination and curiosity a must.
WORKSHOP: WE’RE ON THE ROAD TO NOWHERE
5:15pm – 6:45pm
Hosted by Caralampo Focas, from Oxford University.
Caralampo Focas is an experienced researcher with an established international reputation. For over 25 years he has been writing, consulting and researching into transport, consumer and quality of life themes, expanding the research horizons in methodological, social, economic, comparative and policy issues.
11am – 7pm (15 minute slots throughout the day)
Jane Orton and Tony Wragg will assess your carbon footprint then discuss practical ways to reduce it.
Jane Orton has been working as a psychotherapist for over 20 years. She was formerly a teacher and educationalist, member of a radical theatre group and for a long period lived in a community aiming for sustainability. She is a keen cyclist and tandem rider. She has been involved with Carbon Conversations since 2009 is a Designated Trainer and Community and commercial Facilitator.
Tony Wragg practices as a psychotherapist, but had a quite different earlier career as an engineer and research and development manager. He provides consultancy on technology and intellectual property. He continues a lifelong love affair with the Scottish Highlands and is a passionate on-and-off-road cyclist. He has been involved in Carbon Conversations since 2009 and is a Designated Trainer and Community and Commercial Facilitator.
There is no suggestion in these workshops that the academic can be challenged. Their purpose is instead instruction. You can talk to a psychotherapist about your carbon footprint, or have a group therapy session about your feelings of climate guilt. But there is no opportunity to put to Rapley or his workshop leaders that other perspectives might exist.
The only sense that a question remained unanswered in Rapley’s talk was the question he said science couldn’t answer: “what kind of world do we want to live in”, he asked. But the choice he was offering was only a world in which we did as we had been told, or face ecological Armageddon. His question was rhetorical.
But there is much to take issue with. What struck me was his glib treatment of the facts, in fact. Like many of his kind, for example, Rapley trotted out the “$500 bn a year on fossil fuels” line, that was discussed here a few posts ago.
If the academic hasn’t researched this very simple claim, how much confidence should we have in the rest of his presentation, much less the moral consequences that seem to emerge in consequence?
And there’s the problem in a nutshell. If the environmental argument is protected from interrogation, and is delivered in circumstances that preclude debate, in what sense is it based in science? How can Rapley’s epic appeal to authority be legitimised, when it is presented in such a way as to deprive it of the virtue that legitimises it?